{"id":19,"date":"2013-03-14T22:44:58","date_gmt":"2013-03-14T22:44:58","guid":{"rendered":"http:\/\/www.geraldodebarros.com\/main\/?page_id=19"},"modified":"2014-02-17T20:24:08","modified_gmt":"2014-02-17T20:24:08","slug":"press","status":"publish","type":"page","link":"https:\/\/www.geraldodebarros.com\/main\/?page_id=19","title":{"rendered":"Press"},"content":{"rendered":"

See the abbreviation codes<\/em><\/a><\/strong><\/p>\n

See the abbreviation codes<\/em><\/a><\/strong><\/p>\n

2013_01_Geraldo de Barros- What Remains | Dazed Digital<\/a>
\n 2013_01_18_Guardian_Brazilian blend_how Geraldo de Barros became a master of montage_Sean O’Hagan_Art and design | guardian.co.uk<\/a>
\n 2010_02_21_Art Review – Constructive Spirit – History Lesson in Geometric Abstraction at the Newark Museum – NYTimes.com<\/a>
\n 2008_Story of a little girl with a big mouth<\/a>
\n 2008_03_23_NYT_Art – Mari Carmen Ram\u00edrez – Latin American Art<\/a>
\n 2007_R_BR_PSi<\/a>
\n 2007_12_14_FSP<\/a>
\n 2007_12_14_FSP_O artista_ Uma obra em v\u00e1rios suportes<\/a>
\n 2007_12_14_FSP_Kawakubo vai ajudar a fazer exposi\u00e7\u00e3o<\/a>
\n 2007_12_14_FSP_Comme Geraldo<\/a>
\n 2007_09_08_E-Flux – Presents The Geometry of Hope<\/a>
\n 2006_NET PROCESSO – arte contempor\u00e2nea<\/a>
\n 2006_MAC_Grupo Rex<\/a>
\n 2005_12_24_epoca<\/a>
\n 2005_12_24_ArtNexus<\/a>
\n 2005_12_12_OESP<\/a>
\n 2005_12_12_FSP_SP v\u00ea Sobras de Geraldo de Barros<\/a>
\n 2005_10_19_FSP_MIS exp\u00f5e pioneiro da imagem publicit\u00e1ria<\/a>
\n 2005_07_14_E-Flux_GdB<\/a>
\n 2005_05_10_FSP_Mostra na Pinacoteca reconstitui mem\u00f3ria de Wesley Duke Lee<\/a>
\n 2005_01_vitruvius_resenha<\/a>
\n 2004_10_29_FSP_Novas mostras destacam Unilabor e L\u00e9vi-Strauss<\/a>
\n 2004_10_01_FSP_Concretista Anatol Wladyslaw morre de parada card\u00edaca em SP<\/a>
\n 2004_09_19_FSP_Galp\u00e3o com 42 artistas ser\u00e1 filial carioca da Bienal de S\u00e3o Paulo<\/a>
\n 2004_05_04_FSP Exposi\u00e7\u00e3o no Rio re\u00fane30 anos do mobili\u00e1rio brasileiro<\/a>
\n 2004_08_19_FSP- Fotografia era intrag\u00e1vel e antiquada diz Farkas<\/a>
\n 2004_08_19_FSP_Mostras re\u00fanem gera\u00e7\u00e3o que mudou a fotografia brasileira<\/a>
\n 2003_11_18_IHT<\/a>
\n 2003_10_19_FSP_FotOgrafo registra eventos que marcaram a hist\u00f3ria de SP desde 1930<\/a>
\n 2003_10_18_FSP_Exposi\u00e7\u00e3o inaugura galeria Lurixs no Rio de Janeiro<\/a>
\n 2003_08_20_FSP_Thomaz Farkas exp\u00f5e brincadeira que virou hist\u00f3ria<\/a>
\n 2003_08_13_FSP_para Alexandre Wollner Calif\u00f3rnia coloniza o Brasil<\/a>
\n 2003_02_20_FSP_M\u00e9xico importa geometria abstrata do Brasil<\/a>
\n 2003_01_20_FSP_Museu une Construtivismo a roupas de Walter Rodrigues em SP<\/a>
\n 2002_12_16_FSP_Mostra ArteFoto re\u00fane 61 artistas que usam a foto como meio<\/a>
\n 2002_12_11_FSP_Mostra Da Antropofagia a Bras\u00edlia constr\u00f3i imagem da modernidade<\/a>
\n 2002_07_04_FSP_MAM abre mostra e lan\u00e7a livro com acervo de imagens contempor\u00e2neas<\/a>
\n 2002_06_23_FSP_Exposi\u00e7\u00e3o discreta retorna \u00e0s origens da abstra\u00e7\u00e3o paulistana – 23-06-2002 14h34<\/a>
\n 2002_06_08_FSP_50 anos do movimento concreto paulista ganha luz pr\u00f3pria<\/a>
\n 2002_05_17_FSP_Nova galeria vira casa da fotografia-arte<\/a>
\n 2002_01_24_FSP_S\u00e3o Paulo celebra anivers\u00e1rio em tintas modernistas<\/a>
\n 2002_01_10_FSP_Mostra Aquisi\u00e7\u00f5es Recentes abre calend\u00e1rio do MAM-SP em 2002<\/a>
\n 2001_Atlantica_N30<\/a>
\n 2001_10_06_FSP_Mostra re\u00fane obras doadas ao MAM de S\u00e3o Paulo pela Petrobras<\/a>
\n 2001_09_08_CO<\/a>
\n 2001_09_07_LT<\/a>
\n 2001_05_12_FSP_Mostra incide sobre a luz em obras de arte brasileiras<\/a>
\n 2001_03_16_E-Flux – Geraldo de Barros & Lygia Pape<\/a>
\n 2001_03_14_FSP_Sele\u00e7\u00e3o cultural brasileira joga em NY<\/a>
\n 2000_N76_TR<\/a>
\n 2000_11_27_FSP_Masp se volta ao centro de S\u00e3o Paulo ap\u00f3s 32 anos<\/a>
\n 2000_09_TL<\/a>
\n 2000_09_PI<\/a>
\n 2000_09_08_DB<\/a>
\n 2000_07_20_CO<\/a>
\n 2000_07_16_DCH<\/a>
\n 2000_07_15_24H<\/a>
\n 2000_07_13_LT<\/a>
\n 2000_07_12_CDT<\/a>
\n 2000_07_06_HB<\/a>
\n 2000_07_03_TG<\/a>
\n 2000_07_01_TG<\/a>
\n 2000_07_01_LI<\/a>
\n 2000_07_01_CO<\/a>
\n 2000_06_RS<\/a>
\n 2000_06_OEUVRE<\/a>
\n 2000_06_NF<\/a>
\n 2000_06_Film<\/a>
\n 2000_06_27_LP<\/a>
\n 2000_06_24_DL<\/a>
\n 2000_06_23_LM<\/a>
\n 2000_06_23_LC<\/a>
\n 2000_06_23_BT<\/a>
\n 2000_06_23_24H<\/a>
\n 2000_06_17_LT<\/a>
\n 2000_05_Film<\/a>
\n 2000_05_24_CF<\/a>
\n 2000_05_06_TDG<\/a>
\n 2000_01_01_GL<\/a>
\n 1999_Frankfurer_Allgemeine_Zeitung_Koln<\/a>
\n 1999_catalogueNyon<\/a>
\n 1999_1108_FSP<\/a>
\n 1999_12_AUDI<\/a>
\n 1999_11_SC<\/a>
\n 1999_11_ELLE<\/a>
\n 1999_11_BRAVO<\/a>
\n 1999_11_05_GM<\/a>
\n 1999_11_03_OE<\/a>
\n 1999_11_03_JT<\/a>
\n 1999_11_03_FSP<\/a>
\n 1999_11_01_RE<\/a>
\n 1999_10_AK<\/a>
\n 1999_10_22_FSP<\/a>
\n 1999_09_EP<\/a>
\n 1999_09_29_AND<\/a>
\n 1999_09_22_KSA<\/a>
\n 1999_09_12_WA<\/a>
\n 1999_09_11_FA<\/a>
\n 1999_08_MN<\/a>
\n 1999_08_MF<\/a>
\n 1999_08_HIN<\/a>
\n 1999_08_CA<\/a>
\n 1999_08_27_KSTA<\/a>
\n 1999_08_26_KR<\/a>
\n 1999_08_26_EX<\/a>
\n 1999_08_25_OE<\/a>
\n 1999_04_DM<\/a>
\n 1999_03_KA<\/a>
\n 1999_01_27_OE<\/a>
\n 1998_11_ART NEXUS<\/a>
\n 1998_11_18_OE<\/a>
\n 1998_11_06_FSP<\/a>
\n 1998_10_BRAVO<\/a>
\n 1998_09_10_FSP<\/a>
\n 1998_09_01_OE<\/a>
\n 1998_08_19_AU<\/a>
\n 1998_07_06_OE<\/a>
\n 1998_07_06_JT<\/a>
\n 1998_07_06_FSP<\/a>
\n 1998_05_A&D<\/a>
\n 1998_05_03_FSP<\/a>
\n 1998_04_18_OE<\/a>
\n 1998_04_18_JT<\/a>
\n 1998_04_18_FSP<\/a>
\n 1998_03_UK<\/a>
\n 1998_03_25_HC<\/a>
\n 1997_IF50<\/a>
\n 1997_09_06_OE<\/a>
\n 1996_12_12_OE<\/a>
\n 1996_11_04_OE<\/a>
\n 1996_11_04_JDG<\/a>
\n 1996_03_21_JT<\/a>
\n 1996_01_Veredas<\/a>
\n 1995_Paparazzi<\/a>
\n 1995_07_19_OE<\/a>
\n 1995_04_05_OE<\/a>
\n 1995_04_05_JT<\/a>
\n 1995_04_05_FSP<\/a>
\n 1994_12_13_JT<\/a>
\n 1994_08_19_FSP<\/a>
\n 1994_08_17_IEp92<\/a>
\n 1994_08_05_OE<\/a>
\n 1994_08_04_OE<\/a>
\n 1994_08_04_JT<\/a>
\n 1994_08_03_CP<\/a>
\n 1994_06_31_FSP<\/a>
\n 1994_04_BRAVO<\/a>
\n 1994_04_23_JT<\/a>
\n 1994_03_24_FSP<\/a>
\n 1993_05_05_FSP<\/a>
\n 1993_04_16_NL<\/a>
\n 1993_04_13_DB<\/a>
\n 1993_04_01_FSP<\/a>
\n 1993_04_01_24H<\/a>
\n 1993_03_PE<\/a>
\n 1993_03_20_JdG<\/a>
\n 1993_02_RCH<\/a>
\n 1991_12_11_FSP<\/a>
\n 1987_10_23_FSP2<\/a>
\n 1987_10_23_FSP<\/a>
\n 1987_09_09_GZ<\/a>
\n 1986_ARTE_EM_SP_N34<\/a>
\n 1986_05_22_FSP<\/a>
\n 1986_02_DGABC<\/a>
\n 1985_IV\u00baCentenario<\/a>
\n 1979_ITINERARIOS<\/a>
\n 1977_FSP<\/a>
\n 1977_04_15_FSP<\/a>
\n 1977_02_CV<\/a>
\n 1976_04_VC<\/a>
\n 1969_11_23_NP<\/a>
\n 1966_JT<\/a>
\n 1966_0602_FSP<\/a>
\n 1965_0911_FSP<\/a>
\n 1956_Exp_Nac_Arte_Concreta<\/a>
\n 1953_Max Bill no MAM<\/a>
\n 1953_Max Bill 1953<\/a>
\n 1953_BAC<\/a>
\n 1953_06_FM<\/a>
\n 1953_03_08_OT<\/a>
\n 1952_08<\/a>
\n 1952_08_19_FM<\/a>
\n 1952_08_10_LA<\/a>
\n 1952_02_11_UH<\/a>
\n 1952_<\/a>
\n 1951_DI<\/a>
\n 1951_12_17DI<\/a>
\n 1950_AP<\/a>
\n 1950_11_IRIS_N44<\/a>
\n1947_QUIRINO<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

See the abbreviation codes See the abbreviation codes 2013_01_Geraldo de Barros- What Remains | Dazed Digital 2013_01_18_Guardian_Brazilian blend_how Geraldo de Barros became a master of montage_Sean O’Hagan_Art and design | guardian.co.uk 2010_02_21_Art Review – Constructive Spirit – History Lesson in Geometric Abstraction at the Newark Museum – NYTimes.com 2008_Story of a little girl with a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-19","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19"}],"version-history":[{"count":12,"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":1261,"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions\/1261"}],"wp:attachment":[{"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}