{"id":20,"date":"2013-03-14T22:45:15","date_gmt":"2013-03-14T22:45:15","guid":{"rendered":"http:\/\/www.geraldodebarros.com\/main\/?page_id=20"},"modified":"2025-10-17T15:33:02","modified_gmt":"2025-10-17T13:33:02","slug":"exhibitions","status":"publish","type":"page","link":"https:\/\/www.geraldodebarros.com\/main\/?page_id=20","title":{"rendered":"Exhibitions"},"content":{"rendered":"<p><b>Selected solo exhibitions (<em><a href=\"#prizes\">Prizes<\/a> &#8211; <a href=\"#collections\">Collections<\/a>\u00a0<\/em>)<\/b><\/p>\n<p>2025<br \/>\nGERALDO DE BARROS &#8211; JOGO DA MEMORIA. Luciana Brito Galeria, S\u00e3o Paulo, Brasil<\/p>\n<p>2022<br \/>\nGERALDO DE BARROS: OBJETOS-FORMA. Luciana Brito Galeria, S\u00e3o Paulo, Brasil<br \/>\nGERALDO DE BARROS: <em>Form-Objects<\/em>, Galleria Michela Negrini, Lugano, Switzerland<br \/>\nGERALDO DE BARROS, Mus\u00e9e d\u2019Art Moderne et Contemporain de Gen\u00e8ve (MAMCO), Genebra, Switzerland. Curated by Paul Bernard, in close collaboration with Fabiana de Barros and Michel Favre<\/p>\n<p>2021<strong><br \/>\n<\/strong>GERALDO DE BARROS &#8211; IMAGINARIO, CONSTRU\u00c7\u00c3O E MEMORIA, Ita\u00fa Cultural de S\u00e3o Paulo. Curated by Lorenzo Mammi and Michel Favre<br \/>\nGERALDO DE BARROS, Galeria Luciana Brito, S\u00e3o Paulo<\/p>\n<p>2019<br \/>\n<span lang=\"PT-BR\">EM FORMA DE FAMILIA &#8211; Geraldo de Barros, Lenora de Barros &amp; Fabiana de\u00a0<\/span><span lang=\"PT-BR\">Barros, Galeria Roberto Alban &#8211; Salvador de Bahia, Brasil<br \/>\n<\/span><span style=\"font-size: inherit;\">Geraldo de Barros, Unilabor, Kunst- und Kulturstiftung\u00a0Opelvillen R\u00fcsselsheim, Germany<br \/>\n<\/span><span style=\"font-size: inherit;\">Geraldo de Barros &#8211; Designer, painter and Photographer,\u00a0ARCADIA &#8211; Geneva, Switzerland<br \/>\n<\/span>DPot furnitures and Fotoformas by DIP Contemporary\u00a0@ Milan Design Week &#8211; Salone del Mobile &#8211;\u00a09 &#8211; 14.04.2019<br \/>\nGERALDO DE BARROS &#8211; FOTOFORMAS, Document Gallery, Chicago, USA<br \/>\nGERALDO DE BARROS &#8211; THAT\u2019S IT, DIP Contemporary, Lugano, Switzerland<\/p>\n<p>2018<br \/>\nUNILABOR: A TERCEIRA VIA, Works by Geraldo de Barros (1954 &#8211; 1961), Side Gallery, Barcelona, Spain<\/p>\n<p>2017<br \/>\nGeraldo de Barros &#8211; Fotoformas e Sobras, Funda\u00e7\u00e3o Arpad-Szenes \/ Vieira da Silva, Lisboa. Curated by Michel Favre<br \/>\nGeraldo de Barros &#8211; Sobras, Document Gallery, Chicago,\u00a0USA<\/p>\n<p>2016<br \/>\nGeraldo de Barros Industrial, Galeria Luciana Brito, S\u00e3o Paulo, Brazil<br \/>\nGeraldo de Barros:<em class=\"\"> Off Center<\/em>, Sicardi Gallery, Houston, TX, USA<\/p>\n<p>2015<br \/>\nGeraldo de Barros and Photography, SESC Belenzinho, S\u00e3o Paulo, Brazil.<\/p>\n<p>2014<br \/>\nGeraldo de Barros and Photography, Instituto Moreira Salles, Rio de Janeiro.<br \/>\nTierney Gardarin Gallery. New York, USA<\/p>\n<p>2013<br \/>\nGeraldo de Barros &#8211; Jogos de Dados + Sobras (1980_1990), SESC Vila Mariana, S\u00e3o Paulo, Brazil<br \/>\nGeraldo de Barros: What remains ? The Photographer&rsquo;s Gallery, London, Great Britain<\/p>\n<p>2010<br \/>\nEntre Tantos: Geraldo de Barros. Caixa Cultural, S\u00e3o Paulo, Brazil<\/p>\n<p>2009<br \/>\nGeraldo de Barros &#8211; Modula\u00e7\u00e3o de mundos. SESC Pinheiros, S\u00e3o Paulo, Brazil<\/p>\n<p>2008<br \/>\nGeraldo de Barros, Sicardi Gallery, Houston, TX, USA<br \/>\nFotoformas e Suas Margens. Centro Universit\u00e1rio Maria Ant\u00f4nia, S\u00e3o Paulo, Brazil<\/p>\n<p>2007<br \/>\nSobras + Fotoformas. Galeria Brito Cimino, S\u00e3o Paulo, Brazil<\/p>\n<p>2005<br \/>\nA(s)simetrias. Galeria Brito Cimino, S\u00e3o Paulo, Brazil<br \/>\nGalerie Guy B\u00e4rtschi, Geneva, Switzerland<\/p>\n<p>2002<br \/>\nFORMA BRAZIL. The Americas Society, New York, USA<\/p>\n<p>2001<br \/>\nSobras + Fotoformas: Retrospective. Ulmer Museum, Ulm, Germany<br \/>\nFotoformas: Retrospective. Mus\u00e9e de l\u2019Elys\u00e9e, Lausanne, Switzerland<br \/>\nSobras + Fotoformas. Instituto Ita\u00fa Cultural, Campinas, Brazil<\/p>\n<p>1999<br \/>\nGeraldo de Barros no Acervo. Museu de Arte Moderna do Rio de Janeiro, Brazil<br \/>\nFotoformas: Retrospective. Ludwig Museum, Cologne, Germany<br \/>\nGaleria Brito Cimino, S\u00e3o Paulo, Brazil<br \/>\nFotoformas. SESC Pomp\u00e9ia, S\u00e3o Paulo, Brazil<\/p>\n<p>1998<br \/>\nFotofest 98, Sicardi Sanders Gallery, Houston, USA<\/p>\n<p>1996<br \/>\nGeraldo de Barros: Pioneiro. Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil<br \/>\nGeraldo de Barros: Fotoformas. Funda\u00e7\u00e3o Cultural de Curitiba, Brazil<br \/>\nGeraldo de Barros: Photographies. Galerie Alexandre Mottier, Geneva, Switzerland<\/p>\n<p>1995<br \/>\nFotoformas. Galeria Camargo Villa\u00e7a, S\u00e3o Paulo, Brazil<\/p>\n<p>1994<br \/>\nGeraldo de Barros: Fot\u00f3grafo. Museu da Imagem e do Som, S\u00e3o Paulo, Brazil<\/p>\n<p>1993<br \/>\nCasa das Rosas, S\u00e3o Paulo, Brazil<br \/>\nGeraldo de Barros: Peintre et Photographe. Mus\u00e9e de L\u2019Elys\u00e9e, Lausanne, Switzerland<\/p>\n<p>1991<br \/>\nJogos de Dados. Galleria Mercato Del Sale, Milan, Italy<br \/>\nO Espa\u00e7o do Artista Quando Jovem. Pa\u00e7o das Artes, S\u00e3o Paulo, Brazil<br \/>\nXXI Bienal Internacional de S\u00e3o Paulo, Brazil<\/p>\n<p>1990<br \/>\nJogos de Dados. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<\/p>\n<p>1989<br \/>\nJogos de Dados. Museu de Arte Contempor\u00e2nea de Campinas, Brazil<\/p>\n<p>1987<br \/>\nGalerie Tschudi, Glarus, Switzerland<\/p>\n<p>1986<br \/>\nGaleria Thomas Cohn, Rio de Janeiro, Brazil<br \/>\nGaleria Fernando Milan, S\u00e3o Paulo, Brazil<br \/>\n42a. Biennale di Venezia, Venice, Italy<\/p>\n<p>1979<br \/>\nXV Bienal Internacional de S\u00e3o Paulo, Brazil<\/p>\n<p>1977<br \/>\n12 Anos de Pintura. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<\/p>\n<p>1967<br \/>\nIX Bienal Internacional de S\u00e3o Paulo, Brazil<\/p>\n<p>1965<br \/>\nGaleria Atrium, S\u00e3o Paulo, Brazil<br \/>\nMuseo de Arte Moderno de Buenos Aires, Argentina<\/p>\n<p>1954<br \/>\nMuseu de Arte Moderna de S\u00e3o Paulo, Brazil<\/p>\n<p>1953<br \/>\nII Bienal Internacional de S\u00e3o Paulo, Brazil<\/p>\n<p>1951<br \/>\nI Bienal Internacional de S\u00e3o Paulo, Brazil<\/p>\n<p>1950<br \/>\nFotoformas. Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil<\/p>\n<p>1947<br \/>\nTeatro Municipal, S\u00e3o Paulo, Brazil<\/p>\n<p><b>Selected group exhibitions<\/b><\/p>\n<p>2025<br \/>\nBRASIL ! BRASIL ! THE BIRTH OF MODERNISM.<span class=\"input\"> Royal Academy. <em>Commissaires<\/em> : Fabienne Eggelh\u00f6fer, Roberta Saraiva Coutinho.<br \/>\n<\/span><\/p>\n<p><span class=\"input\">2024<br \/>\n<\/span>BRASIL ! BRASIL !\u00a0A L&rsquo;AUBE DE LA MODERNIT\u00c9<span class=\"input\">. Zentrum Paul Klee, Bern. <em>Commissaires<\/em> : Fabienne Eggelh\u00f6fer, Roberta Saraiva Coutinho.<br \/>\n<\/span><span class=\"input\">TRANSMIGRACIONES. Colecci\u00f3n Fotogr\u00e1fica del Centro de la Imagen, Ciudad de M\u00e9xico. Curadur\u00eda: Alejandro Castellanos<br \/>\n<\/span>CRAFTING MODERNITY: DESIGN IN LATIN AMERICA, 1940-1980. The Museum of Modern Art, New York<em>. Organized by Ana Elena Mallet, guest curator, with Amanda Forment, Curatorial Assistant, Department of Architecture and Design, The Museum of Modern Art.<br \/>\n<\/em>DISPUTE. Ch\u00e2teau de Nyon, Suisse. Carte blanche \u00e0 l\u2019artiste Pierre Schwerzmann.<\/p>\n<p>2022<br \/>\nUN ACTO DE VER QUE SE DESPLIEGA. Collecci\u00f3n susana y Ricardo Steinbruch<em>. <\/em>Museo Nacional Centro de Artes Reina Sofia, Madrid, Spain<br \/>\nTERCER OJO. COLLECI\u00d3N CONSTANTINI EN MALBA. MALBA, Buenos Aires, Argentina<br \/>\nUTOPIAS E DISTOPIAS. Museu de Arte Moderna da Bahia, Salvador, Brazil<br \/>\nCONCRETE GLOBAL!. Museum im Kulturspeicher Wurzburg, Wurzburg, Germany<br \/>\nARQUEOLOGIA AMOROSA DE S\u00c3O PAULO. Museu Afro Brasil, S\u00e3o Paulo, Braziles Reina Sofia, Madrid, Spain<br \/>\nRUPTURA E O GRUPO: ABSTRA\u00c7\u00c3O E ARTE CONCRETA, 70 ANO. Curadoria: Heloisa Espada e Yuri Quevedo, Museu de Arte Moderna de S\u00e3o Paulo<br \/>\nRAIO-QUE-O-PARTA: fic\u00e7\u00f5es do moderno no Brasil, Sesc 24 de Maio, S\u00e3o Paulo, Brasil<\/p>\n<p>2021<br \/>\nA MAQUINA DO MUNDO: Arte e Ind\u00fastria no Brasil 1901 \u2013 2021, Pinacoteca de S\u00e3o Paulo, Brasil<br \/>\nBRAZILIAN MODERNISTS: THREE MASTERS OF\u00a0 FOTO-CINE CLUBE BANDEIRANTE, Augusta Edwards Fine Arts, London<br \/>\n<span lang=\"PT-BR\">FOTOGRAFO O QUE N\u00c3O VEJO<\/span><span lang=\"PT-BR\">. Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brasil<br \/>\n<\/span>BRAZILIAN MODERNISTS: THREE MASTERS OF FOTO-CINE CLUBE BANDEIRANTE, Augusta Edwards Fine Arts, London<br \/>\nFOTOCLUBISMO. BRAZILIAN MODERNIST PHOTOGRAPHY, 1946\u20131964. MoMA, New York<br \/>\nFOTOGRAFIA MODERNA, Luciana Brito Galeria, S\u00e3o Paulo, Brasil<\/p>\n<p>2020<br \/>\nSUR MODERNO: JOURNEYS OF ABSTRACTION \u2014 The Patricia Phelps de Cisneros Gift, MoMA, New York<br \/>\n<span lang=\"FR\">WIE ZU HAUSE, WO ICH NICHT BIN, Centre d\u2019Art Contemporain, Gen\u00e8ve. Org\u00a0: Niels Trannois &#8211; HEAD Geneva<br \/>\n<\/span><span lang=\"EN-US\">INTERIORS, Document Space, Chicago. July 10 &#8211; August 22, 2020<br \/>\nAAA \u2013 Anthology of Art and Architecture, cur. Sol Camacho, Gal. Fortes D\u2019Aloia &amp; Gabriel and Bergamin &amp; Gomide, <\/span><span lang=\"PT-BR\">S\u00e3o Paulo, Brazil<br \/>\n<span lang=\"EN-US\">DUPLO OLHAR: PINURA E FOTOGRAFIA MODERNAS BRASILEIRAS, Casa Roberto Marinho, Rio de Janeiro, 5 dez 2019 &#8211; 26 abr. 2020<\/span><br \/>\n<\/span><\/p>\n<p>2019<br \/>\nARTBASEL MIAMI, Gal. Jorge La Ruche, Argentina and Gal. Luciana Brito, S\u00e3o Paulo, Brazil<br \/>\nARTRIO\u201919, Galeria Roberto Alban &#8211; Salvador de Bahia, Brazil<br \/>\nPHOTO LONDON, com Augusta Edwards Fine Arts, London<br \/>\nNew York AIPAD,\u00a0with Augusta Edwards Fine Arts,\u00a0April, 4-7, 2019<\/p>\n<p>2018<br \/>\nMODERNA PARA SEMPRE &#8211; A fotografia modernista Brasileila na Cole\u00e7\u00e3o Ita\u00fa, Espacio Cultural de la Embajada del Brasil en Buenos Aires, Argentina<br \/>\nPARIS PHOTO, Augusta Edwards Fine Arts, Paris<br \/>\nRUPTURA &#8211; Luciana Brito Galeria, S\u00e3o Paulo, Brazil<br \/>\nMOPART, DIP &#8211; Contemporary, Lugano, Switzerland<br \/>\nPORTRAIT &#8211; Sicardi Gallery, Houston, TX<br \/>\nA TALE OF TWO WORLDS. A Dialogue between the MMK Collection and the History of Experimental Latin American Art, 1940s \u2013 1980s, MAMBA, Museo de Arte Moderno de Buenos Aires, Argentina<br \/>\nENTRE CONSTRU\u00c7\u00c3O E APROPRIA\u00c7\u00c3O \u2013 Antonio Dias, Geraldo de Barros e Rubens Gerchman nos Anos 60. Curadoria: Jo\u00e3o Bandeira, SESC Pinheiros, S\u00e3o Paulo, Brazil<\/p>\n<p>2017<br \/>\nThe Revolution is dead. Long live the Revolution!, Zentrum Paul Klee and Kunstmuseum Bern, Bern, Switzerland<\/p>\n<p>2016<br \/>\n\u201cOs Muitos e o Um\u201d, cole\u00e7\u00e3o Andrea e Jos\u00e9 Olympio Pereira, Instituto Tomie Ohtake, S\u00e3o Paulo, Brazil<br \/>\nFoto Cine Clube Bandeirantes &#8211; do arquivo a rede, Museu de Arte Assis Chateaubriand, S\u00e3o Paulo, Brazil<\/p>\n<p>2015<br \/>\nModerno: Design for Living in Brazil, Mexico, and Venezuela, 1940-1970, American Society, New York.<br \/>\nFoto Cine Clube Bandeirante : Do arquivo a rede, MASP, S\u00e3o Paulo, Brazil<\/p>\n<p>2013<br \/>\nCole\u00e7\u00e3o Ita\u00fa de Fotografia Brasileira. Instituto Tomie Othake, S\u00e3o Paulo, Brazil<\/p>\n<p>2012<br \/>\nCole\u00e7\u00e3o Ita\u00fa de Fotografia Brasileira. Centro Cultural Pa\u00e7o Imperial, Rio de Janeiro, Brazil<br \/>\nPirelli Photography Collection. Museu de Arte de S\u00e3o Paulo Assis Chateaubriand. S\u00e3o Paulo, Brazil.<br \/>\nEloge du vertige. Photographies de la collection Ita\u00fa, Br\u00e9sil. Paris, France<\/p>\n<p>2011<br \/>\nEstrat\u00e9gias para Luzes Acidentais, Luciana Brito Galeria, S\u00e3o Paulo, Brazil<br \/>\nLa Abstracci\u00f3n Geom\u00e9trica en Latinoam\u00e9rica (1934\u20131973). Fundaci\u00f3n Juan March, Madrid, Spain<\/p>\n<p>2010<br \/>\nModerna para Sempre \u2013 Fotografia Modernista Brasileira na Cole\u00e7\u00e3o Ita\u00fa. Centro de Arte Contempor\u00e2nea e Fotografia, S\u00e3o Paulo, Brazil<br \/>\nXIX Bienal Internacional de S\u00e3o Paulo. S\u00e3o Paulo, Brazil<br \/>\nConstructive Spirit: Abstract Art in South and North America, 1920s-50s. Newark Museum, USA<br \/>\nColetiva, Sicardi Gallery, Houston, Texas, EUA<\/p>\n<p>2009<br \/>\nCine Foto Clube Bandeirante: 70 Anos. Centro Cultural S\u00e3o Paulo, Brazil<\/p>\n<p>2008<br \/>\nMAM 60. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<br \/>\nDuchamp-Me. Sala Paulo Figueiredo, Museu de Arte Moderna de S\u00e3o Paulo, Brazil<br \/>\nFot\u00f3grafos da Vida Moderna. Museu de Arte Contempor\u00e2nea da Universidade de S\u00e3o Paulo &#8211; Ibirapuera, S\u00e3o Paulo, Brazil<br \/>\nLa\u00e7os do Olhar. Instituto Tomie Ohtake, S\u00e3o Paulo, Brazil<\/p>\n<p>2007<br \/>\nFortunate Objects: Selections from the Ella Fontanals-Cisneros Collection, Cisneros Fontanals Art Foundation, Miami, USA<br \/>\nNew Perspectives in Latin American Art 1930\u20132006: Selections from a Decade of Acquisitions. The Museum of Modern Art, New York, USA<br \/>\nIX Bienal International de Fotograf\u00eda, Centro de Fotograf\u00eda Isla de Tenerife, Santa Cruz de Tenerife, Spain<br \/>\nCtrl C + Ctrl V. SESC Pomp\u00e9ia, S\u00e3o Paulo, Brazil<br \/>\nThe Geometry of Hope: Latin American Abstract Art from The Patricia Phelps de Cisneros Collection. Blanton Museum of Art, Austin, USA<br \/>\nIta\u00fa Contempor\u00e2neo: Arte no Brasil 1981-2006. Instituto Ita\u00fa Cultural, S\u00e3o Paulo, Brazil<\/p>\n<p>2006<br \/>\nThe Sites of Latin American Abstraction. Cisneros Fontanals Art Foundation, Miami, USA<br \/>\nDemasiado Humano: Fotografias da Cole\u00e7\u00e3o Joaquim Paiva. Museu de Arte Moderna do Rio de Janeiro, Brazil<br \/>\nConcreta 56: A Raiz da Forma. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<br \/>\nEspasso, New York, USA<br \/>\nTropic\u00e1lia: a Revolution in Brazilian Culture. Bronx Museum, New York, USA; Barbican Art Gallery, London, England; Haus der Kulteren der Welt, Berlin, Germany<br \/>\nEspa\u00e7o Aberto\/Espa\u00e7o Fechado: Sites for Sculpture in Modern Brazil. The Henry Moore Foundation, Leeds, England<br \/>\nVeracidade. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<\/p>\n<p>2005<br \/>\nTropic\u00e1lia: a Revolution in Brazilian Culture. Museum of Contemporary Art, Chicago, USA<br \/>\nAnn\u00e9e du Br\u00e9sil en France. Th\u00e9\u00e2tre de la Photographie, Nice, France<br \/>\n10 Anos de um Novo MAM: Antologia do Acervo. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<br \/>\nDpot: Talento Brasileiro. Museu Brasileiro da Escultura, S\u00e3o Paulo, Brazil<br \/>\nCinq\u00fcenta 50. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<\/p>\n<p>2004<br \/>\nVers\u00e3o Brasileira. Galeria Brito Cimino, S\u00e3o Paulo, Brazil<br \/>\nTudo \u00e9 Brasil. Instituto Ita\u00fa Cultural, S\u00e3o Paulo, Brazil; Pa\u00e7o Imperial, Rio de Janeiro, Brazil<br \/>\nThe Showroom. Eric Franck Fine Arts, London, England<br \/>\nO Pre\u00e7o da Sedu\u00e7\u00e3o: do Espartilho ao Silicone. Instituto Ita\u00fa Cultural, S\u00e3o Paulo, Brazil<br \/>\nLa Collection M.+ M. Auer. Mus\u00e9e d\u2019Art et Histoire, Geneva, Switzerland<br \/>\nUNILABOR. Centro Universit\u00e1rio Maria Ant\u00f4nia, S\u00e3o Paulo, Brazil<\/p>\n<p>2003<br \/>\nUn monde non-objectif. Galerie Thessa Herold, Paris, France<br \/>\nArteFoto. Centro Cultural Banco do Brasil, Bras\u00edlia, Brazil<br \/>\nSubvers\u00e3o dos Meios. Instituto Ita\u00fa Cultural, S\u00e3o Paulo, Brazil<br \/>\nCuasi-corpus: Arte Concreto y Neoconcreto de Brasil. Museo Tamayo Arte Contempor\u00e1neo, Mexico City; Museo de Arte Contempor\u00e1neo de Monterrey, Mexico; Museu de Arte Moderna de S\u00e3o Paulo, Brazil<\/p>\n<p>2002<br \/>\nArteFoto. Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil<br \/>\nMat\u00e9ria Prima. Novo Museu de Arte Arquitetura Cidade, Curitiba, Brazil<br \/>\nA Linha como Estrutura da Forma. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<br \/>\nArte Contempor\u00e2nea. Cole\u00e7\u00e3o Caixa Geral de Dep\u00f3sitos Culturgest, Porto, Portugal<br \/>\nRuptura: Uma Reconstru\u00e7\u00e3o. Centro Universit\u00e1rio Maria Ant\u00f4nia, S\u00e3o Paulo, Brazil<br \/>\nDa Antropofagia a Bras\u00edlia: Brasil 1920-1950. Funda\u00e7\u00e3o Armando \u00c1lvares Penteado, S\u00e3o Paulo, Brazil<br \/>\nCole\u00e7\u00e3o de Fotografia. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<\/p>\n<p>2001<br \/>\nRecortes. Galeria Brito Cimino, S\u00e3o Paulo, Brazil<br \/>\nUma cole\u00e7\u00e3o. Museu de Arte Moderna de S\u00e3o Paulo, Brazil; Galerie 68Elf, Cologne, Germany; Exit Art, Cologne, Germany; Kultur Fabrik, Esch-sur-Alzette, Luxembourg<br \/>\nBody &amp; Soul: Brasil 500 Anos Artes Visuais. Guggenheim Museum, New York, USA<br \/>\nGeometric Abstraction: Latin American Art from the Patricia Cisneros Collection. Harvard University Art Museums, Cambridge, USA; Fundaci\u00f3n Cisneros, Caracas, Venezuela; Yale University Press, New Haven, USA<br \/>\nTrajet\u00f3ria da Luz na Arte Brasileira. Instituto Ita\u00fa Cultural, S\u00e3o Paulo, Brazil<\/p>\n<p>2000<br \/>\nHeterotopias: Medio Siglo Sin Lugar (1918-1968). Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain<br \/>\nMostra do Redescobrimento Brasil 500 anos. S\u00e3o Paulo, Brazil<br \/>\nBrasil 500 Anos Artes Visuais. Funda\u00e7\u00e3o Calouste Gulbenkian, Lisbon, Portugal<br \/>\nIII. Galeria Brito Cimino, S\u00e3o Paulo, Brazil<br \/>\nBrazilian Phtography 1946-1998. Kunstmuseum, Wolfsburg, Germany<br \/>\nPhotography of Hope. Benham Studio Gallery, Seattle, USA<br \/>\nEnigmas. Galeria Brito Cimino, S\u00e3o Paulo, Brazil<\/p>\n<p>1998<br \/>\nThe Joaquim Paiva Collection. Fotofest 98, Houston, USA<\/p>\n<p>1997<br \/>\nExposition d\u2019Et\u00e9, Colletions 1950-1995. Mus\u00e9e d\u2019Art Contemporain de Grenoble, France<br \/>\nAutoportraits. Mus\u00e9e Historique Ch\u00e2teau de Nyon, Switzerland<\/p>\n<p>1996<br \/>\nIV Studio de Tecnologias de Imagem, SESC Pomp\u00e9ia, S\u00e3o Paulo, Brazil<br \/>\nO Mundo de M\u00e1rio Schenberg. Casa das Rosas, S\u00e3o Paulo, Brazil<br \/>\nNeuerwerbungen Photosammlung. Museum Ludwig, Cologne, Germany<br \/>\nBrazil: the Thinking Photography. Rochester Institute of Technology, USA<br \/>\nCollection Mus\u00e9es Suisses. Mus\u00e9e de l\u2019Elys\u00e9e, Lausanne, Switzerland<\/p>\n<p>1994<br \/>\nBienal Brasil S\u00e9culo XX. Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo, Brazil<br \/>\nJoaquim Paiva Collection. Center for the Arts at Yerba Buena Gardens, San Francisco, USA<\/p>\n<p>1993<br \/>\nI M\u00eas Internacional da Fotografia NAFOTO, SESC Pomp\u00e9ia, S\u00e3o Paulo, Brazil<\/p>\n<p>1992<br \/>\nBilderwelt Brasilien. Kunsthaus Zurich, Switzerland<br \/>\nLatinamerika 92, Denmark<br \/>\nCole\u00e7\u00e3o de Fotografia Pirelli. Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil<\/p>\n<p>1989<br \/>\nAcervo. Galeria S\u00e3o Paulo, Brazil<br \/>\nGabinete de Arte Raquel Arnaud, S\u00e3o Paulo, Brazil<\/p>\n<p>1985<br \/>\nVII Exposi\u00e7\u00e3o de Belas Artes Brasil, Tokyo, Japan; Atami, Japan; Kyoto, Japan<\/p>\n<p>1984<br \/>\nGeometria 84. Galeria Paulo Figueiredo, S\u00e3o Paulo, Brazil; Museu de Arte de Belo Horizonte, Brazil<br \/>\nTradi\u00e7\u00e3o e Ruptura. Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo, Brazil<\/p>\n<p>1982<br \/>\nDo Modernismo \u00e0 Bienal. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<br \/>\nO Design no Brasil: Hist\u00f3ria e Realidade. SESC Pomp\u00e9ia, S\u00e3o Paulo Brasil; Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil<\/p>\n<p>1979<br \/>\nVenezia 79: La Fotografia, Venice, Italy<\/p>\n<p>1978<br \/>\nI Muestra de la Fotografia Latinoamericana Contempor\u00e1nea, Museo de Arte Moderno, Mexico City<br \/>\nI Mostra de Fotografia Latino Americana Contempor\u00e2nea, Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil<\/p>\n<p>1977<br \/>\nProjeto Construtivo Brasileiro na Arte. Pinacoteca do Estado de S\u00e3o Paulo, Brazil; Museu de Arte Moderna do Rio de Janeiro, Brazil<\/p>\n<p>1976<br \/>\nO Jovem Desenho dos Anos 40. Pinacoteca do Estado de S\u00e3o Paulo, Brazil<\/p>\n<p>1971<br \/>\nMobili\u00e1rio Brasileiro. Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil<\/p>\n<p>1966<br \/>\nRex Time (Descoberta da Am\u00e9rica, Flash-back, Rex Kaput). Rex Gallery &amp; Sons, S\u00e3o Paulo, Brazil<\/p>\n<p>1960<br \/>\nKonkrete Kunst, 50 Jahre Entwicklung. Helmhaus Zurich, Switzerland<br \/>\nArte Moderna no Brasil. Museo de Arte Moderno de Buenos Aires, Argentina; Museo de Santiago, Chile<\/p>\n<p>1956<br \/>\nSalon de Mai, Palais Tokyo, Paris, France<br \/>\nI Exposi\u00e7\u00e3o Nacional de Arte Concreta, Museu de Arte Moderna de S\u00e3o Paulo, Brazil; Minist\u00e9rio da Educa\u00e7\u00e3o e Cultura, Rio de Janeiro, Brazil<\/p>\n<p>1955<br \/>\nSal\u00e3o Paulista de Arte Moderna, S\u00e3o Paulo, Brazil<\/p>\n<p>1954<br \/>\nGravure Br\u00e9silienne. Kunstmuseum Bern, Switzerland; Kunstgewerbemuseum, Zurich, Switzerland ; Mus\u00e9e Rath de Gen\u00e8ve, Geneva, Switzerland<\/p>\n<p>1952<br \/>\nCercle d\u2019Art Photographique de Lyon, France<br \/>\nRuptura. Museu de Arte Moderna de S\u00e3o Paulo, Brazil<\/p>\n<p>1951<br \/>\nV Salon del Balneario de Panticosa, Spain<br \/>\nSalon de Photographie de Paris et Nantes, France<\/p>\n<p>1950<br \/>\nSal\u00e3o de Arte Moderna, Salvador, Brazil<\/p>\n<p>1949<br \/>\nSal\u00e3o Nacional de Arte Moderna, S\u00e3o Paulo, Brazil<\/p>\n<p>1948<br \/>\nSal\u00e3o Nacional de Arte Moderna, S\u00e3o Paulo, Brazil<\/p>\n<p>1947<br \/>\nSal\u00e3o Nacional de Arte Moderna, S\u00e3o Paulo, Brazil<br \/>\n<a name=\"prizes\"><\/a><br \/>\n1946<br \/>\nSal\u00e3o Nacional de Belas Artes, S\u00e3o Paulo, Brazil<\/p>\n<p><strong>PRIZES<\/strong><br \/>\n1991 Second Prize. XXI Bienal Internacional de S\u00e3o Paulo, Brazil<br \/>\n1967 Acquisition Award. IX Bienal Internacional de S\u00e3o Paulo, Brazil<br \/>\n1953 Acquisition Award. II Bienal de S\u00e3o Paulo, Brazil<br \/>\n1952 First Prize for Graphic Design. Forth Centenary of the S\u00e3o Paulo City, Brazil<br \/>\n<a name=\"collections\"><\/a><br \/>\n1951 Acquisition Award. I Bienal de S\u00e3o Paulo, Brazil<\/p>\n<p><strong>PUBLIC COLLECTIONS<\/strong><br \/>\nArchivio di Nuova Scrittura, Milan, Italy<br \/>\nBeaubourg, Mus\u00e9e d\u2019art Moderne de la ville de Paris, France<br \/>\nCaixa Geral de Dep\u00f3sitos, Lisbon, Portugal<br \/>\nCentro Portugu\u00eas de Fotografia, Porto, Portugal<br \/>\nChicago Art Institue, Chicago, USA<br \/>\nCisneros Fontanals Art Foundation, Miami, USA<br \/>\nCole\u00e7\u00e3o do SESC, S\u00e3o Paulo, Brazil<br \/>\nCole\u00e7\u00e3o Ita\u00fa, S\u00e3o Paulo, Brazil<br \/>\nCole\u00e7\u00e3o Joaquim Paiva, Rio de Janeiro, Brazil<br \/>\nCole\u00e7\u00e3o Marco Antonio Villa\u00e7a, S\u00e3o Paulo, Brazil<br \/>\nCole\u00e7\u00e3o Pirelli de Fotografia, S\u00e3o Paulo, Brazil<br \/>\nColecci\u00f3n Patr\u00edcia Phelps de Cisneros, Caracas, Venezuela<br \/>\nCollection M. + M. Auer, Geneva, Switzerland<br \/>\nFonds d&rsquo;Art Contemporain de la Ville de Gen\u00e8ve, Geneva, Switzerland<br \/>\nFonds d&rsquo;Art Contemporain de l&rsquo;Etat de Gen\u00e8ve, Geneva, Switzerland<br \/>\nFunda\u00e7\u00e3o Bienal de S\u00e3o Paulo, Brazil<br \/>\nFunda\u00e7\u00e3o Cultural de Curitiba, Brasil<br \/>\nFunda\u00e7\u00e3o Cultural do Estado da Bahia, Brasil<br \/>\nLACMA, Los Angeles County Museum<br \/>\nLudwig Museum, Cologne, Germany<br \/>\nMax Bill Foundation, Zurique, Switzerland<br \/>\nMetr\u00f4 de S\u00e3o Paulo, Brazil<br \/>\nMus\u00e9e d&rsquo;Art Contemporain de Grenoble, France<br \/>\nMus\u00e9e de L&rsquo;Elys\u00e9e, Lausanne, Switzerland<br \/>\nMuseu da Imagem e do Som, MIS, S\u00e3o Paulo, Brazil<br \/>\nMuseu de Arte Contempor\u00e2nea da Universidade de S\u00e3o Paulo, MAC-USP, Brazil<br \/>\nMuseu de Arte Contempor\u00e2nea Jos\u00e9 Pancetti, Campinas, Brazil<br \/>\nMuseu de Arte de S\u00e3o Paulo Assis Chateaubriand, MASP, S\u00e3o Paulo, Brazil<br \/>\nMuseu de Arte Moderna de S\u00e3o Paulo, MAM-SP, Brazil<br \/>\nMuseu de Arte Moderna do Rio de Janeiro, MAM-RJ, Brazil<br \/>\n<span lang=\"FR\">Museo de Arte Latinoamericano de Buenos Aires, MALBA, coll. E. F. Constantini, Argentina<\/span><br \/>\nMuseu de Curitiba, Brazil<br \/>\nMuseu do Itamaraty, Bras\u00edlia, Brazil<br \/>\nMuseum of Fine Arts, Houston, USA<br \/>\nMuseum of Contemporary Art, MOCA, Los Angeles, USA<br \/>\nPinacoteca do Estado de S\u00e3o Paulo, Brazil<br \/>\nTATE Modern, London, Great Britain<br \/>\nThe Museum of Modern Art, MOMA, New York, USA<br \/>\nTschudi Gallery Collection, Glarus, Switzerland<br \/>\nUnion de Banques Suisses, Lausanne, Switzerland<br \/>\nUrsula Blicke Stiftung Collection, Kraichtal, Germany<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Selected solo exhibitions (Prizes &#8211; Collections\u00a0) 2025 GERALDO DE BARROS &#8211; JOGO DA MEMORIA. Luciana Brito Galeria, S\u00e3o Paulo, Brasil 2022 GERALDO DE BARROS: OBJETOS-FORMA. Luciana Brito Galeria, S\u00e3o Paulo, Brasil GERALDO DE BARROS: Form-Objects, Galleria Michela Negrini, Lugano, Switzerland GERALDO DE BARROS, Mus\u00e9e d\u2019Art Moderne et Contemporain de Gen\u00e8ve (MAMCO), Genebra, Switzerland. Curated by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20"}],"version-history":[{"count":43,"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":2000,"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions\/2000"}],"wp:attachment":[{"href":"https:\/\/www.geraldodebarros.com\/main\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}